国产欧美精品一区二区三区app,欧美人妻1区2区3区,av电影亚洲一区二区,久久国产乱子伦无码

四重奏

類型:愛情 日劇  地區(qū):法國  年份:1981 

華為云

劇情簡介

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

猜你喜歡

  • HD

    兩極對(duì)立

  • HD

    大煙山之戀:國家公園浪漫史

  • HD

    九十歲。有什么可喜可賀的

  • HD

    愛在39度

  • HD

    魔法壞女巫

  • HD

    你的錯(cuò)誤2024

  • HD

    我們同在

  • HD

    外語

  • 全73集

    戴珍珠耳環(huán)的少女

  • HD

    女孩終究是女孩

  • HD

    墨菲

男人和女人干逼的视频| 国产精品免费自拍视频| 亚洲欧洲精品一区二区三区| 不卡一区二区高清视频| 在线观看中文字幕91| 国产精品夜色一区二区三区不卡| 中文字幕一区二区免费| 日本人妻丰满熟妇久久| 日本高清不卡一二三区| 久热久热精品视频在线观看| 成人精品一区二区三区在线| 国产精品日韩欧美一区二区| 激情内射日本一区二区三区| 精品国产成人av一区二区三区| 日本人妻中出在线观看| 日韩精品一区二区三区av在线| 亚洲国产丝袜一区二区三区四| 少妇特黄av一区二区三区| 老司机亚洲精品一区二区| 美国女大兵激情豪放视频播放| 亚洲中文字幕视频一区二区| 国产成人午夜av一区二区| 91精品欧美综合在ⅹ| 欧美一级特黄特色大色大片| 国产毛片av一区二区三区小说| 亚洲欧美国产网爆精品| 欧美激情床戏一区二区三| 成人国产激情在线视频| 欧美日韩国产精品黄片| 亚洲天堂久久精品成人| 欧美日韩亚洲综合国产人| 国产日韩精品欧美综合区| 中国少妇精品偷拍视频| 欧美成人国产精品高清| 国产对白老熟女正在播放| 激情视频在线视频在线视频| 欧美一二三区高清不卡| 国产亚洲精品香蕉视频播放| 亚洲欧美日韩中文字幕二欧美| 熟女乱一区二区三区丝袜| 国产一区二区三区四区中文|